Page 56 - ART GIANTS issue of World of Art (WOA) Contemporary Art Magazine

Featuring three groundbreaking works, the exhibition examines
WORLD-CLASS ART VIDEO AFTER VIDEO: media technologies. Khirkeeyaan (2006) repurposes television
the intersection of surveillance, participatory filmmaking, and

sets as portals for community dialogue in New Delhi, Bombay
THE CRITICAL MEDIA OF CAMP
Tilts Down (2022) transforms CCTV footage into cinematic
storytelling from a Mumbai high-rise, and From Gulf to Gulf to
Gulf (2013) presents cellphone footage from sailors navigating
trade routes across the Western Indian Ocean.
MoMA presents Video After Video: The Critical Media of Organized by Stuart Comer, Rattanamol Singh Johal, and Lilia
CAMP, the first major U.S. museum exhibition showcasing the Rocio Taboada, Video After Video highlights CAMP’s radical
work of Mumbai-based collective CAMP. Founded in 2007 by engagement with media infrastructures, agency, and collective
Shaina Anand, Ashok Sukumaran, and Sanjay Bhangar, CAMP memory. Complementing the exhibition, CAMP’s online
explores video, film, electronic media, and public interventions archives, including pad.ma and indiancine.ma, will be activated
to interrogate and reframe contemporary political and to invite further discourse and interaction.
socioeconomic structures.

Installation view of Video After Video: The Critical Media of CAMP, on view Installation view of Video After Video: The Critical Media of CAMP, on view
at The Museum of Modern Art, New York from February 21 through July 20, at The Museum of Modern Art, New York from February 21 through July 20,
2025. Photo: Jonathan Dorado © The Museum of Modern Art 2025. Photo: Jonathan Dorado © The Museum of Modern Art

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