Page 40 - ART GIANTS issue of World of Art (WOA) Contemporary Art Magazine
P. 40

care among Black women, documenting relationships
        WORLD-CLASS ART  LATOYA RUBY FRAZIER:                 connection to Braddock.
                                                              between Frazier, her mother, her grandmother, and their

         MONUMENTS OF SOLIDARITY
                                                              The installation pairs photographs with silent videos and
                                                              a poem listing environmental toxins in the town’s air.
                                                              Flint Is Family in Three Acts (2016–20) follows Shea S.
                                                              Cobb and her family amid Flint, Michigan’s water crisis,
         The Museum of Modern Art presents LaToya Ruby
                                                              portraying their migration in search of clean water and
         Frazier: Monuments of Solidarity, the first museum
                                                              the grassroots efforts to support the community.
         survey dedicated to the artist-activist. The exhibition
         showcases Frazier’s work spanning over two decades,
         including rarely seen pieces. Known for her use of
         photography, text, moving images, and performance,
         she highlights narratives of labor, gender, and race in
         postindustrial America. The exhibition is organized by
         Roxana Marcoci, The David Dechman Senior Curator and
         Acting Chief Curator, with Caitlin Ryan and Antoinette
         Roberts.
         Born in Braddock, Pennsylvania, Frazier builds on the
         traditions of social documentary photography and
         conceptual art while drawing inspiration from writers
         like Upton Sinclair and James Baldwin. Her work
         confronts issues such as industrial decline, racial and
         environmental injustice, gender disparities, healthcare
                                                              LaToya Ruby Frazier, Holding flag laying at the edge of Pier 54 and the Hudson
         inequities, and the erosion of fundamental rights. She   River. On flag: US Army transport Buford, the “Soviet ark,” used to deport
         describes her practice as resisting historical erasure   political radicals and other “undesirable” noncitizens from the United States
         “one photograph, one essay, one monument at a time.”  to Russia in December 1919, broadside view, 1907 from Pier 54: A Human
                                                              Right to Passage, 2014 © 2024 LaToya Ruby Frazier, courtesy of the artist and
         For this exhibition, Frazier reimagines her diverse   Gladstone gallery
         projects as “monuments for workers’ thoughts.” The
                                                              Installation view of LaToya Ruby Frazier: Monuments of Solidarity, on view at
         Notion of Family (2001–14) explores the politics of
                                                              The Museum of Modern Art, New York from May 12 through September 7,
                                                              2024. Photo: Jonathan Dorado.





































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