Page 162 - ART GIANTS issue of World of Art (WOA) Contemporary Art Magazine
P. 162

EXIT 79: GRANDPARENT’S LANE, 2015, COLLAGE AND WATERCOLOUR 22 X18 IN. | 55.9X47.7 CM.  PIPE UP ABOUT AGING, 2019, COLLAGE AND WATERCOLOUR 22 X18 IN. | 55.9X47.7 CM.
        FINE ART CULTURE  SEE YOU IN TWO WEEKS, DAD, 2017, COLLAGE, WATERCOLOUR AND MIXED MEDIA 22 X18 IN. | 55.9X47.7 CM.  MOM IT’S TIME WE PLACE YOU, 2020, COLLAGE AND WATERCOLOUR 22 X18 IN. | 55.9X47.7 CM.


                                                              WE PLACE THINGS, NOT PEOPLE!, 2020, COLLAGE AND WATERCOLOUR 18 X44 IN. | 47.7X111.8 CM.
         DARN STAIRS!, 2017, COLLAGE AND WATERCOLOUR 22 X18 IN. | 55.9X47.7 CM.
                                                              ELEPHANT IN THE ROOM, 2019, COLLAGE AND WATERCOLOUR 22 X18 IN. | 55.9X47.7 CM.
         MAKING COOKIES WITH GRANDMA, 2019, COLLAGE AND WATERCOLOUR 22 X18 IN. | 55.9X47.7 CM.




                                   MARIE-CLAUDE GIGUÈRE
                                   Lives and works in Montréal, Québec, Canada
                                   https://helpingseniors.ca/grandmas-place



                                                              text but powerful visual statements that stand on their own
                                                              in art galleries and community spaces. These illustrations
                                                              challenge viewers to rethink the language they use when
                                                              discussing seniors. Her artistic process is deeply personal
                                                              and interdisciplinary. She combines her love for sculpting and
                                                              pottery with a passion for drawing and painting, developing a
                                                              unique style. This style was further honed during an intensive
                                                              drawing marathon with Melissa Meyer at the New York Studio
                                                              School in 2014, where she discovered collage as her preferred
                                                              medium to translate her visions onto paper. The collage
                                                              technique blended her passions as the ripped edges of the
                                                              paper offer a softness as well as an invitation to explore all the
                                                              details of hidden messaging in her art, paralleling the details
                                                              she wishes we pay attention to when a senior faces a change in
                                                              their autonomy.

                                                              The result is a series of thirty-six illustrations, of which eight
                                                              are showcased here. These pieces are described as charming,
                                                              colorful, and impactful, designed to travel beyond the pages of
         Marie-Claude Giguère, an artist based in Montréal, Québec,   her book to create broader societal change. Her works, such
         has undertaken a powerful mission to revolutionize the way   as See You In 2 Weeks Dad and Making Cookies with Grandma,
         we discuss aging and senior care. Her poignant message is   have received the prestigious Mercedes Matter Award from
         captured in her children's book, Grandma’s Place, which bears   the New York Studio School, highlighting the significance and
         the significant motto: "Aging: Our Words Matter." During a   impact of her art.
         conversation with George, Marie-Claude was moved by his
         phrase “place his parents,” which seemed to reduce his parents
         to mere objects. She passionately responded, “George, it is
         not about ‘putting’ or ‘placing’ your parents anywhere. They
         are not objects. Using those words fills everyone with guilt. It
         is about helping them to find options, explore solutions, and
         adapt at home or decide to move.” This conversation propelled
         her into action, inspiring her to find the most effective means of
         spreading her message.

         Marie-Claude chose to focus on children, believing they are
         free from the negative language and stigma often associated
         with aging. By educating the young, she aims to foster a
         generation that approaches seniors with empathy and respect.
         Her journey into children's literature was driven by the desire
         to make the topic engaging for readers of all ages. Her book,
         Grandma’s Place, uses vibrant illustrations to capture young
         readers' imaginations while delivering an important message.
         The images in this book are not just accompaniments to the


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