Page 126 - ART GIANTS issue of World of Art (WOA) Contemporary Art Magazine

BROOKLYN BRIDGE, 2024 SUBLIMATION ON ALUMINUM 36X30 IN. | 91.4X76.2 CM.
FINE ART CULTURE FREEDOM TOWER, 2024 SUBLIMATION ON ALUMINUM36X30 IN. | 91.4X76.2 CM.

NY WALK, 2024 SUBLIMATION ON ALUMINUM36X30 IN. | 91.4X76.2 CM. 

HOWARD HARRIS
Lives and works in Denver, CO, United States of America
https://www.hharrisphoto.com

A Techspressionist Pioneer Redefining Photographic Art
Howard Harris’s work transcends traditional photographic boundaries,
marking a revolutionary approach in contemporary art through his
innovative use of technology and layered dimensionality. By creating
photographic compositions that exist simultaneously as physical
objects and dynamic perceptual experiences, Harris situates himself
at the forefront of the Techspressionist movement. His images are
not merely captured; they are constructed, layered, and transformed
into multi-sensory events, blurring the line between photography,
sculpture, and digital art. Harris's artistic journey is deeply rooted in
his fascination with design and perception, cultivated through rigorous
training at the Kansas City Art Institute and Pratt Institute in New
York. His exposure to design luminaries like Rowena Reed Kostellow
instilled in him a profound understanding of spatial relationships and
aesthetic principles. Yet, it is Harris’s iconoclastic nature that sets
him apart. His ability to challenge conventions and redefine artistic
photographs that seek to fix a moment in time, Harris’s work
mediums is evident in his patented technique, "Apparatus and Method
introduces an element of flux. By layering images on aluminum and
of Manufacturer for a Layered Artwork." This innovation underpins his
acrylic surfaces, he creates pieces that change with light, angle,
signature style, demonstrating his deep engagement with both the
and viewer interaction, mirroring the ever-shifting nature of reality.
science and art of creation.
This dynamic quality makes his work profoundly engaging, inviting
At the heart of Harris’s process is his exploration of visual perception
viewers to experience art as an evolving dialogue rather than a
as a fluid and individualized phenomenon. Unlike traditional
static representation. Harris’s images are not confined to a single
plane. Harris’s works remind us that what we perceive is always a
synthesis of external stimuli and internal states. His art, therefore,
becomes a meditation on the interplay between the subjective and
the universal, the tangible and the ephemeral. One of Harris’s most
remarkable achievements is his seamless integration of technology
and aesthetics. In an era where digital tools often overshadow artistic
intent, Harris uses technology not as a crutch but as an enabler. His
mastery of materials, combined with his understanding of design
principles, allows him to push the boundaries of photographic art
while retaining an emotional resonance that speaks to universal
experiences of beauty and wonder. His Techspressionistic style, a term
that underscores the fusion of technological innovation and expressive
intent, places him in the lineage of artists who have redefined their
mediums. Like the Impressionists who explored the effects of light on
color or the Cubists who deconstructed form, Harris uses technology

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